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    Compendiums:

    Compendium: National Turf
    By Klara Li Scheutz

    Sitting Ugly: Nation, Time and the Ghost Aesthetics — On the Danish Design Chair as a Beautiful Symbol of National Comfort

    By the end of the registered work hours of the AI, this process has accelerated to a pace that seems mostly like a demonstration of the machines effectiveness, made all the more impressive because it exposes the implicit and simultaneous contrast that this requires no labour intensivity....

    Compendium: Neoliberal Technologies and Production of Subjectivity
    By Rob Horning

    Evidence as content

    Like all newsworthy events now, the current Iran war has brought about, as the New York Times reported in March, “a cascade of AI fakes” that have filled the feeds of social platforms. Sometimes these clips serve explicitly propagandistic aims, hoping to melt enemy morale or forward a false sense of...

    Compendium: Ecocritique, The Capitalocene and Degrowth
    By Gerald Raunig

    Four Ecologies

    Increasingly disappointed by Francois Miterrand’s social democratic politics in the first half of the 1980s, and despite his friendship with the former’s minister of culture, Jack Lang, psychiatrist, philosopher, and activist Félix Guattari became a member of the French Green party in 1985. Until hi...

    Compendium: Ecocritique, The Capitalocene and Degrowth
    By Abelardo Gil-Fournier and Jussi Parikka

    Feathered Data. Birds and Other Aerial Computations

    This short essay is part of our continuing interest in ecologies of computation and media where computational culture is read through animal energies and forces. In the context of the ongoing environmental datafication, we are interested in how this can invert into a project on histories and art met...

    Compendium: Ecocritique, The Capitalocene and Degrowth
    By T. J. Demos

    Futures of Thriving Eelgrass! Locus’ Zostera Marina’s Song of Increase

    On Vallisaari island, just off the coast of Helsinki, three colossal flowers drift upon a quiet pond, their pale green and white petals cupping sprinklings of golden pollen. The blossoms sit on a watery surface that mirrors the surrounding forest, the shifting sky and passing clouds composing a shim...

    Compendium: Ecocritique, The Capitalocene and Degrowth
    By Gene Ray

    Commoners’ Sense: Ten Theses on Biospheric Realism, Livability, and Artificial Intelligence

    We – we commoners, we who have been born and impressed into capitalist modernity without our consent and who must participate in its reproduction and endure the resulting extinction machine from all our diverse and unequal places and contexts – find ourselves in a situation that is both unacceptable...

    Compendium: Ecocritique, The Capitalocene and Degrowth
    By Irmgard Emmelhainz

    Planetary Discapacity as Pathologies of Adaptation

    The inheritance of modernity consists of injurious and predatory forms of interdependency sustaining human life on earth: agro-industry is depleting the soil and the so-called “lungs of the earth” are burning in California, the Amazon...

    Compendium: Desire Paths
    By Emma Singleton

    For the Want of a Better Word: Hyperlink Thinking

    For the want of a better word as a phrase in this text is used as a lens from which I will ask where the search for the better word in design can lead to through the use of hyperlinks as a tool for searching and thinking. For the want of a better word often includes the use of a thesaurus as an...

    Compendium: Desire Paths
    By Emma Singleton

    For the Want of a Better Word: Desire

    or the want of a better word as a phrase in this text is used as a lens from which I will ask what the ‘want’ is in design through the questioning of desires. Desire, for the want of a better word, is a feeling that is a physical or mental longing for something; a goodnight kiss or the latest piece...

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    Something seemed deadly about the »sardonic funeral towers of metropolitan finance«. In 1938, when Lewis Mumford was looking for the possibilities of creating form under the conditions of his time, what concerned him was the »fatal lack of connection between architecture and the dominant social s